Story Behind The Photo #2

Years ago I shot a story on "Babies born addicted to crack". It was a very rough assignment and life changing for me. In the photo above this mother was brokenhearted her babies death sentence because of her addictions. Normally, I try to stay out of the story, but when I get nudged by God to try and comfort her, I obey. I had the shot and knew it, so I put my cameras away and began to tell her she could be forgiven. She was absolutely convinced she was going to Hell. I always keep a bible in my camera bag, so I pulled it out and spent an hour going through multiple scriptures about Jesus Christ's love for her. I knew of a church service in that town that night, so I loaded her and her family up and took them to the service. Only God would know that he had brought a preacher from New Zealand who preached on prostitution and drug use. It was tailor made for this family. After the service she and her baby received prayer and she gave her life to Christ and asked for His forgiveness. I wish all my assignments where like this!

What makes a "Pro Photographer"

For years and in college I was taught the definition of a "pro photographer" was when one starts to get paid for shooting photos. Perhaps in some ways this could be considered true. However, when a photographer claims to be a "Pro", that photographer is communicating that he can be trusted to shoot the same quality work he presents in his portfolio or website!!! The photographer that can do this 99% of the time is a true "PRO PHOTOGRAPHER" and is qualified to claim so.

The problem is this, I and many true pro photographers I know through the years and especially these days are having to come behind these "wanna be pros" and clean up their messes. It damages the reputation of our industry and people begin to think "well hell, I can just do this myself if this is what pro work is"!

Personally, I would like to see the photography industry adopt the same system plumbers use. If you are serious about becoming a professional photographer, but have not established you skill set consistently, then you need to call your self an Apprentice Photographer. Once you have establishes your skill set to be able to consistently deliver the same work quality in your portfolio and on your website and say have done so successfully for multiple clients over year or two's time, then you should call yourself a "Pro Photographer". Before that day, do yourself and the industry a favor and let your clients know you are still establishing your skill set as a photographer.

Just my two cents worth. Let me know what you think!

Kevin Vandivier

WHATS WRONG WITH THIS PICTURE?

When I was growing up, most people kept their opinions to themselves unless asked. It was just polite. Today, people vomit opinions constantly...behind others backs. To their face its always niceties. Before, when you did ask for some ones opinion, you got it...the truth, good or bad. Today, it's all about BFF (for you older folks, thats Best Friends Forever). How can we grow when people only say the bad things behind your back instead of to your face. Personally, I'm looking for true opinions. The more detail, the better. So, I'm asking for your opinion! What's wrong with this picture?

STORY BEHIND THE PHOTO I

©2009 Kevin Vandivier

This last summer I scouted the Tetons for a workshop I would later lead there. I decided to get up early and shoot the Mormon Barns in the park the day after landing in Jackson Hole. Arriving while it was still dark I found one other photographer who had beat me there, nabbing the best angle of course. Since, like most of us, I’ve seen millions of images of this barn over the years, I wanted to find an angle at least rarely shot. Deep in a hole my angle was found. First the 4x5 field view camera was set up and then my trusty Nikon.

Soon there was ten photographers around me, but birds could still be heard chirping. Then 20, 25, 30 35…at least I had my unique hole angle…whatever. It now sounded more like a packed Starbucks than a national park before sunrise! Then the peak dawn arrived and a gaggle of voices was replaced with a array of shutters. I simply felt cheap! I had built a very successful career on always shooting the unique angle or approach. Truthfully, I still even haven’t bothered processing the 4x5 film yet.

After spending the last day scouting my workshop, I landed hard in my bed a bit depressed, still haunted by what was experienced at the barns. Then it hit me…What about light painting the barns? I was out of that bed like a 17 year old teen. Though it was darkening, I still had time to make it. Long story short, the shot above is the end result. I left the mountains pleased and soon the photo caught the attention of those at Rangefinder Magazine. Rangefinder was intrigued about how I shot it and asked I write an article. One other note, as an email promo, my site traffic increased the most from all my other email promos. Unique approaches and angles is what everyone is looking for, not the same old shots!

THESE DAYS…

We’ve opened a gallery in Austin, Texas and have hung some of my work, but mostly the works of others. I really do enjoy encouraging other young photographers…and a few old birds as well. Texas Photo Workshops was formed to educate photographers about two things killing our profession, Viral Mediocrity & amateurs/pro’s desperate to get noticed giving away their work or charging next to nothing. Then everybody losses! Through TPW I strive to train photographers to shoot for excellence and help them understand why it is important to the business to charge a fair wage for their work. So far so good! Finally, I also still shoot assignments when I’m not teaching workshops or writing photography articles for magazines like Rangefinder.

To circle the wagons, I’ll leave you with this…my dad listlessly waned in his death bed a few years back as I visited him for the last time. I gave him an 11x17 print of the photo attached and he mustered all his strength to hold the photo above his face and gazed at it with a smile that lit up his face for the final time. He then slowly turned to me and mouthed, “I’m proud of you son”!

THE REAL WORLD

The third man to radically change my life was Ray Adler who was the Director of Photography at The Dallas Times Herald and the man who hired me to shoot and learn among the best gathering of photographers ever, second only to the National Geographic staff of the late 70’s and early eighties. I had to impress my boss by out shooting three Pulitzer Prize winners on staff and a couple of National Photographers of the Year. I soon found the need to be free of tyrannical bosses, (not Ray) so in 1985 I left the newspaper and started a wonderful career as a freelance photographer. Man, that was the best career decision I ever made.

Over time I’ve shot for just about all the top magazines and many ad agencies and corporations. I even got to work as a photography editor for one of the best photography magazines ever to be published, Texas Highways Magazine. Two things pulled me away from that job…I just have to be the boss thing and my love for the free world of freelance photography! I even managed to win a handful of national awards over the years for both my photography and photo editing.

My best friend now is Jesus Christ, the ultimate man that radically changed my life, but photography is still one of my best friends and over the years has taken me around the world to photograph the kings of nations & the poorest of the poor, to the center of the largest hurricane on record & the edge of a volcano producing the longest eruption in history, to war in Lebanon and Israel & Love in Hawaii. Best of all though was that one assignment flying off the deck of an aircraft carrier shooting a story on fighter pilots…WOW! The three of us, Jesus, myself and this Nikon Camera, have had a lot fun together and they helped me through some tough times. The worst of which was the tragic loss of my young son Ryan to an accidental drowning. I was pulled out of many a dark day by getting lost in the process of shooting a timely photo assignment.

Coming soon...THESE DAYS

THE COLLEGE YEARS

In 1977 I enrolled into the Forestry program at Stephen F. Austin University in Nacogdoches to study Wildlife Game Management. Three years into this degree, I discovered I had a true talent for photography when I shot a photo of a Red Phase Screech Owl and Texas Parks & Wildlife bought it for $75. I was hooked, so photography became my new major and I took all the classes Dr. Michael Roach taught at the time. He was the second man to radically change my life. Without question, one of the best Photo Profs in the U.S. Many of his students have gone on to have stellar careers in photography.

Once I had taken all his classes, I decide to change my major to Photojournalism and transferred to The University Of Texas in Austin. I learned there that you always go for it and never say no for other people. Make them tell you no. Which is why I proposed stories to top newspapers and magazines while I was still in college and landed assignments with several including Smithsonian Magazine, National Geographic World Magazine, The Dallas Times Herald, and The Houston Chronicle. My last years in college were filled with regular assignments from United Press International and the top newspaper in the nation, The Dallas Times Herald. In Fact, those guys decided to hire me full time before I had graduated from college. Thank God the Dean of the College of Communications allowed me to finish my degree via mail (no internet, no email back then).

THE REAL WORLD ...coming soon